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• Sketch of the lord of the rings ring wraith beast full#

The range of dynamics and tonal options you have available are very limited and you are also restricted by total number of voices.

Sketch of the lord of the rings ring wraith beast full#

I also began to realise the strengths and weaknesses of metal as a genre when compared to a full symphonic orchestral. Another realisation I had midway through the album was that many times I would be pleased with how my arrangement turned out and yet it still didn’t come close to the original in terms of overall quality, dynamics and feel. Making the album I also learnt many things and improved some of my existing skills regarding arranging, composing, orchestration and transcribing. There’s a lesson to be learnt there, I’m just trying to figure out what it is, something to do with perseverance I guess. Eventually, I had a few break through moments and once the arrangement finally fell into place, it ended up being my favourite song on the album. The track “Where the Shadows Lie” (which is an arrangement of the Mordor/Sauron theme) was one of the more time consuming arrangements, which had countless revisions and I almost left it out in the end. This is actually a really good exercise in arranging and composing, which I recommend to other musicians.

The White Hand of Saruman is another example of a song I had to be creative in trying to avoid too much repetition. The final song stands at 3:39, with reasonable amounts of variation as the song progresses: mission accomplished. Lastly, I made the decision to include one of Gollum’s themes, as the character strongly relates to the ring and his melody seemed to fit quite well. I found some material in the song “The Great River”, which plays leading up to a bold statement of the Ring theme. The first thing I did was to create several variations of the theme, making changes to articulations, playing styles, harmonies, drum rhythms and instrumentation. My task was to take that short motif and turn it into a 3-4 minute song. The theme of the Ring, for example, is a short melodic phrase played over two chords, which tends to play whenever the ring appears on screen. Because some of the themes and cues that I decided to arrange were relatively short, I had to figure out a way of turning them into full songs without using too much repetition. A problem that I encountered on several of the songs was repetition. Making this album was both very enjoyable and proved to be a great challenge at the same time. I wanted to include elements of power metal, melodic metal, heavy metal, groove metal and the one used would depend on the feel or style of the original song. I also tried to include a variety of metal sub genres, rather just stick to one or the other. These miniatures are supplied unpainted and require assembly - we recommend using Citadel Plastic Glue and Citadel Paints.I chose to order the tracks of the album to reflect the journey of the characters: start with the Ring’s theme and end with “Into the West”. This multipart plastic box set contains 13 components and ten 25mm Round Bases with which to make The Fellowship of the Ring as well as one Ring Priority Marker. Garbed in an array of items, from elegant, flowing cloaks to sturdy chainmail, these incredibly dynamic The Fellowship of the Ring models will make an excellent addition to any The Lord of the Rings collection. Each of these miniatures stand ready for combat - with swords, axe, staff and even a sturdy frying pan in hand and ready to strike the enemy. This multipart plastic The Fellowship of the Ring set contains nine wonderfully sculpted plastic figures - Gandalf the Grey, Aragorn, Legolas, Gimli, Boromir and the Hobbits, Frodo, Sam, Merry and Pippin - as well as one Ring Priority Marker.

With him went eight companions, and collectively they were known as The Fellowship of the Ring. It was in Rivendell that Frodo made the decision to carry the Ring to Mordor and cast it into the fires of Mount Doom, thus ending its power forever.